Cannibal-witches, zombies and the making of an African modernity in the Cameroon Grassfields

Drawing on analogies between the experiences/practices of the slave-trade and of forced labor (as embodied – and transmitted – social memory), the first part of the paper argues that witchcraft discourse in postcolonial Cameroon Grassfields are a part of modernity and about modernity. This top down approach which uses modernity as an explanatory gloss is complemented in the second part of the paper with one which focuses on local concerns and attempts to understand witchcraft discourse as an arena of conflicting conceptualizations of ‘personhood’, situating both in the broader (regional) context of a ‘Grassfields ethos’ of production, consumption and exchange.

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